Xtreme Dynamic Saturator
Multiband Distortion
Split any signal into four bands and drive each through its own distortion character, powered by our Spectral Saturation Core. It runs from tube warmth to broken fold, crowned by LDX: a uniquely engineered distortion mode built in-house and found in no other plugin. A real-time analyzer shows every harmonic you add. Parallel, oversampled, surgical.
VINAIxds shapes harmonics, never phase. Drive it as hard as you want. Your transients, stereo image and phase relationships come out exactly as they went in.
We ship numbers, measured to the floor of the instrument itself.
0.08 ms latency · bit-exact bypass · anti-aliasing to −103 dBc @ 8× OS · zero self-noise · 48 kHz

Linkwitz-Riley crossovers split the spectrum into LOW, LOW-MID, HIGH-MID and HIGH. Three movable handles run on the analyzer (40 Hz–500 Hz, 180 Hz–3.2 kHz and 1 kHz–12 kHz), so you distort the low end into a wall while keeping highs glassy and clean.
Every band carries the same five distortion engines, each switchable between Analog and Digital character. Mix and match across the spectrum for textures a single distortion could never reach.
Warm, even-harmonic glow with gentle asymmetry. The classic, refined.
Soft saturation, tamed transients and a rounded top end. Glue.
Asymmetric clipper edge: odd-harmonic bite that cuts through a dense mix.
Wavefolding chaos. Metallic, gated, gloriously broken. For when subtle is wrong.
VINAI's own, uniquely engineered distortion: aggressive, transient-aware grit with attack and presence you'll find in no other plugin.
A 2048-point real-time analyzer overlays input and output so you can watch distortion bloom across the spectrum. Crossover handles live right on the graph. Drive with your eyes as much as your ears.
| Type | Next-gen parallel multiband distortion / saturator |
| Bands | 4: Low / Low-Mid / High-Mid / High |
| Crossover | 3 movable handles, Linkwitz-Riley: 40–500 Hz · 180 Hz–3.2 kHz · 1–12 kHz |
| Characters | 5 per band: Tube · Tape · Diode · Fold · LDX |
| Filter Mode | Analog / Digital (global); sets how the bands crossover & clean into each other |
| Per-band | Drive (0–10) · Level (±18 dB) · Dynamic · Proc / Mute / Solo / Delta |
| Global | Input (±24 dB) · Mix · Output (±24 dB) · Low Cut · Safe Clip |
| Oversampling | 1× / 2× / 4× / 8× / 16× / 32× (default 4×, anti-aliased). 32× export-only, live caps at 16× |
| Analysis | 2048-point real-time FFT, input + output overlay |
| Phase | Transparent, phase fully preserved |
| Latency | 4 samples · 0.08 ms @ 48 kHz at default 4× (scales with oversampling) |
| Formats | VST3 · AU |
| Systems | macOS 11+ (Universal) · Windows 10+ · 64-bit |
| Engine | Native C++ · latency-compensated true bypass |
| Version | 1.0.1 |

Catch the peaks XDS pushes: four clip algorithms, true-peak protection, up to 32× oversampling.

When you want the whole treatment from a single control. Saturation, glue, safety.

Add weight under the distortion with an intelligent tonal enhancer plus odd-harmonic saturation.